While the list of dramatic situations is too long to list, I forced myself to do research and read every single one of the archetypes, and it ended up showing me primarily what I didn't want in a story before showing me what I might want. For example, I knew that I didn't want to make a story about adultery, love, or the crimes of a loved one, as I feel I'm too young to understand love enough to make an entire narrative based around it. Also, I feel like making any adventure-type story about supplication or deliverance is not something that could be fit in a mere five minutes. I could be wrong on that, but it seems like a hassle to think about fitting it into such a small amount of time.
Despite the post I made last week about tonality, I am slightly being pulled once again toward darker subject matters. Reading specific situations like abduction, madness, and ambition. I have ideas I will update you guys on later, and this concept of 36 dramatic situations helped me begin fine tuning my ideas. Thanks George.
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