Casting Change


 I thought about casting a bit more and decided to make a change...

Despite my sudden excitement to act in my own project as the lead character in the last post, I sat on it some more and came to the realization that it would be simply too much to act and direct in the same project, and with the fact that I have plenty of other people to ask about the role, I should keep at it. 

So I did... until a "previous no" changed her mind entirely and was ready to take on a leading role. 


    That previous no was a friend of mine, Breana Bass. She had totally reconsidered the offer for reasons unknown while I was searching for another actor, but I didn't really care about the details, I was just glad she was on board. She is ready to take on the character of Cade Shaw(It's likely that I change Cade's name to a female one, but I haven't figured out the right one yet.) She has no previous acting experience, but I'm not worried, because the only emotion she really has to express in my opening is boredom and confusion. Let's hope it works out.



Actors

     For the past 2 days, I spent my time contacting friends of mine and asking them if they wanted to act in my opening as either Cade or the Mystery Man. Sadly, only one friend, Santi, was actually willing to act in the production, but he said he didn't want that big of a part in it. So naturally...


SANTI MASON
as
"THE MYSTERY MAN"

    I cast Santi as the Mystery Man. The role requires at least 1 or 2 lines of dialogue, which is nothing too hard or challenging, and his deepish voice will also compliment the role. Even though I wished he'd taken the main character role, I am grateful he agreed to act on the project at all, seeing as nobody else wanted to.

    Now, with the lack of an actor for the main character, I have to resort to something I wasn't planning on doing but could turn out to be pretty interesting. Introducing... 

MANNY KUCHARIK
as
"CADE SHAW"

    If you hadn't already seen my beautiful face, here it is. I, Manny Kucharik, will step up and take on the role of the leading character in MY OWN PRODUCTION. Pretty exciting. For the role, I need to be able to look very, very dead inside for a good chunk of the runtime. Based on the picture I chose, I think you could imagine I could do that fairly well...

I've never acted in a production before and neither has Santi, so here's hoping we can sell our characters! 
 






Characters

    In my opening, I only plan on introducing two characters. One of these would be the main character of the work, and the other would be a secondary character. Before deciding on outfits or actors, I wanted to map out what these characters would look like while also giving a bit of character backstory.

Main Character: Cade Shaw


Archetype: Everyman
Age: 28
Description: Cade is an "average joe" of sorts who lives a quiet, mundane life and is slightly depressed. He has a few friends but is not very good at meeting new people. Cade works at a grocery store, where he sees waves of people, familiar and not familiar, but hardly ever notices them or tries to make friends. 


Secondary Character: UNNAMED MYSTERY MAN

Archetype: Mysterious Watcher
Age: ???
Description: This creepy individual has no backstory or substance going into film/within the opening because the only purpose of his existence is to watch Cade from afar and present the card/letter to him. His identity would stay hidden until later in the film, but because this only focuses on the opening, that fact is unimportant at the moment.

I will need actors for these two characters. For the next two days, I will ask local talent(aka my friends) if they would like to do the honors of acting in my opening. 

THE VISION

 



    The main source of inspiration for the narrative of my opening was a season 2 episode of Spongebob Squarepants titled "Squidville." In the episode, a particular scene depicts Squidward in a series of graphic match cuts that show Squidward growing more and more depressed as his repetitive life grows staler and staler. In my opening, I want to mimic this kind of graphic match shot to emphasize how repetitive my unnamed main character's life is. I understand how impossible that sounds to replicate in live-action production, especially as an amateur filmmaker, but it is a challenge I want to take on. 

    The shot would be a good 40 seconds of the production, having the character look into the camera in the same framing and position in a variety of locations, (possibly) including in bed, in school, on a bus, at work, and in the bathroom. I would like the framing of the head to be as seamless and similar as possible, but slight alterations on the face like hair and clothing could be different. The effectiveness of the shot would be resting on my own ability to edit the video well enough for the faces to match with each shot, and being as well-versed in multiple Adobe editing software as I am, I feel like it is something that I could be able to do. 

    There are other ways to create the feeling this shot would be trying to convey to audiences, but the idea of the graphic match cut is so enticing and I really want to make it work. 

Narrative Ideas


 So, after an insane brainstorming sesh, I landed on two ideas for the narrative of my opening, both falling under different subgenres within the wider drama genre(that's a mouthful.) I found the pro/con approach to decision-making very insightful and helpful when deciding what genre I should make my opening last week, so I'm going to try it out again. Here they are:

CONCEPT 1: CRIME DRAMA 

Premise: Opening would follow an inmate and his brother speaking behind a glass wall about whatever got the inmate in jail, the inmate trying to convince his brother that what he did was not immoral and he shouldn't be in jail as his brother heartbreakingly tells him that he can't be forgiven and his family hates him OR the inmate's lawyer telling him behind a glass wall that his case is still being worked out and he needs to stay patient as they work out his case

PROS OF USING THIS OPENING: an over-reliance on storytelling and dialogue choices as opposed to complex camera work and filming at multiple locations

CONS OF USING THIS OPENING: Finding a cheap way to actually make the opening look like two people talking behind a glass wall would be nearly impossible and the subject matter is far from anything that I "know" (familiarity with a  specific element or plot point within the work is always helpful, but I can relate to nothing.)

CONCEPT 2: DRAMA/ THRILLER

Premise: Opening would depict the boring/mundane/repetitive life of a man, the man receives a card or letter from a mysterious person while sitting at a bench, card/letter is an invitation to a mysterious free getaway that will give his life value

PROS: Not dialogue-heavy, there are many ways I could work with the "mundane" life aspect (specifically location-wise,) and this is more in my wheelhouse when it comes to "familiarity" because with work and school I lead a very repetitive and boring life(ouch.)

CONS: The vision I have for the camera work that will "make" this idea will be very tricky(I will expand more upon this in a later post if I decide to choose this.)

After really/mainly considering the cons and troubles I could run into working on either of these concepts, it's clear that the second concept is way more realistic for an amateur filmmaker such as I and would end up being easier for me with the budget and time frame I have. 

Concept 2 it is.


Opening Scenes Research Video

   


  In my pursuit of knowledge, I came across a very insightful youtube video about the different ways one could start their film. The video is linked here.

    The video broke down some of the possible narrative or stylistic routes one could take when creating an opening scene, namely character introductions, character relationships, and genre conventions. The films used to better explain/show how these film opening techniques could be employed majorly come from the drama genre along with some action films, but the genre didn't matter much in the context of the video-only for the part exclusively talking about genre conventions. 

    The video is enticing me to go with an opening that builds a character or a dynamic between two characters rather than something that "bends genre." I think as an amateur creator, going into something as complex as that is unwise and seems hard, as I would need to be familiar with elements of two whole genres. Character building seems much more in my wheelhouse and it seems easier to do it in my allowed running time for the opening(2 minutes.)





Conventions of a Drama

    


    Dramas are quite possibly the broadest and least restricting genres to work with, which can be both an advantage and disadvantage, as the idea that my opening wouldn't be bound to specific redundant conventions could make it hard to define the genre in the opening itself. To avoid a total lack of standard genre conventions, I decided to research the topic. Here is what I found:

    The most important element of a drama is the characters and their relationship with the narrative. Dramas usually stick to a protagonist vs. antagonist narrative structure, and, usually taking place in a realist setting, the characters should be representative of how people can act in real life(shouldn't be too unbelievable or exaggerated.) It's less crucial/necessary for the character to be likable to the audience than it is to be relatable in some sort of way. 

A perfect example of an unlikable protagonist is Walter White from the tv-drama Breaking Bad (2008-2013.) Walter White starts out as an unhappy high school chemistry teacher who regrets his life choices leading up to where he was. When he gets diagnosed with lung cancer, he loses the motivation to keep his good-guy persona and conspires to build a meth empire with an old student of his, Jesse Pinkman. His character starts out weak and puny but all he does throughout the series is turn increasingly unlikeable through his heartless and rash actions. The reasoning behind this odd likeability(despite the unlikeability) is rooted in the fact that the first time audiences see him they see the sad chemistry teacher, and they root for him to find happiness and purpose as opposed to the devilish human he is becoming. A complex, multilayered character like Walter White is one that audiences like to watch. 

    Also, drama pieces are very plot-driven. Because of the plentiful amount of sub-genres within the drama genre, conventions are more situational and don't apply in every type of drama, but it is integral to the effectiveness of a story that the narrative has stakes. Without stakes, dramas simply aren't worth watching.  Drama films don't need to be as fast-paced or high-staked as an action movies, but it is crucial to the audience's investment that there is some reason to continue watching. Further, it is important that stakes are defined and obvious to the audience during every scene. One scene lacking substance can be the difference between a good drama and a bad drama. 

    An important thing about the openings of dramas is that the theme and tone are communicated in that very first scene, and those two things need to stay consistent throughout the work. A major tonal shift sometime in the middle of the film not only lifts the importance of the first scene but can also destroy audiences' investment in the narrative. Consistency is key.



 

Confliction

 

 I got a problem: I seriously can't decide between two genres for my opening. 

    The two genres in question are horror and drama. There are elements in both respective genres that I feel would be beneficial for different reasons, and because of them, I'm finding it hard to stick with one. I don't have any crazy thought-out narratives for either of the genres at the moment, only tiny ideas that could be more fleshed out with more thought. So you could understand why I'm having trouble and, more importantly, so I could potentially be able to look at them all listed out, I'm going to map out my thoughts in a pro/con list. 

Horror Genre

Pros:
  • Seems more interesting
  • I could be more creative with shot techniques and sound
  • I would have more fun making it
Cons:
  • Less familiar(can't go off "what I know")
  • Harder to create an atmosphere without a budget or dedicated location 

Drama Genre

Pros: 
  • Easier to "write what I know"
  • Less of a hassle set design-wise in comp. to horror
  • Can film basically anywhere
  • Any time of day is fitting for this genre really
Cons
  • Less fun than horror
  • Might be hard thinking of something "unique" or "new"
Looking at the list, it's clear to see that going with a drama would be the best course of action. Though I would be giving up something I would find more fun to create, it would probably be better if whatever I made was something I could relate to in a sense so that it can feel more "real" when executed in the production. There would be much more to work with if I went with the drama option because the set and narrative design wouldn't be such a hassle, but it would probably be harder to make whatever I decide to write unique in any sense, because where the conventions of the horror genre are always glaring and are rarely given any slack for being repetitive(slasher films and such,) dramas need to be more inventive to be noticed or cared about in the industry. 

Drama it is.


Solo

 



    After some hard thought, I've come to the decision that I should work alone on my portfolio project.
Working by myself would be less restricting in that I wouldn't have any trouble with conflicting visions. Creative control is the main thing that excites me in this project, as I am granted the opportunity to make something that comes purely from my own head and is not an amalgamation of multiple minds. 

    With this decision, there comes the chance that the product that I produce is not as good because I could not spot some shortcomings or problems with my piece due to my own creator bias. To avoid this problem, I plan to ask my peers what they think about certain choices every now and then(mostly if I have my own doubts) throughout the production process without actually collaborating or working with them. At the end of the day, even if the final product ends up not as good as I expected or thought it to be, it will still be a product of my own, one that came from my head, and one that I could take pride in having made.  


    

PORTFOLIOOO!!!

     Starting today, for the next eight weeks, I will be beginning work on my portfolio project for my media studies class. The project itself will be the creation of a 2-minute long movie opening, and I have to say, I'm really looking forward to this project. With this project, I am finally able to make something of my own rather than having to work under the creative limitations of a rubric grade. For the next few weeks, my blog will break down my creative processes, such as brainstorming, writing, filming, and editing. 

Takeaways from Music Marketing Project

 


    Last week, my media group completed my music marketing project. In the project, we created a new artist, modeled a marketing plan for the branding and distribution of the artist/ his work, and created a music video(using an already existing song) that was meant to capture what the artist's work would look like. The artist wecreated was named "The Vanquisher," and the song my group was assigned to use in our music video was "Dangerous" by Busta Rhymes. We planned to make a promotional/storytelling video for our artist, having scenes of The Vanquisher rapping interrupted by a separate narrative every few shots. 

    Following the storyboarding of the music video and the filming of some rapping scenes at school, my group and I moved on to filming the rest of the video. We decided we'd film in a local strip mall-type area because there were plenty of alleyways and a long empty road behind it we could use. Also, we made the choice of filming later in the day because it could simulate/give the viewers(once they eventually saw the fully edited music video) a sense of time passing throughout the work. Out of the four members of our group, three of us acted in the music video, and each of us decided to wear clothes that looked as 90s-esque as possible to match the vibe we were aiming for in the music video. 

    The editing of the music video came next. Since I was the most well-versed in Adobe Premiere out of all of the members in my group, I took on the challenge of editing the music video all by myself. It was a tedious 4-hour process, but I enjoyed doing it. It was fun figuring out what rapping shots or storytelling shots looked the best at what time, and editing to the beat of the music was fairly satisfying. 

    While I did that, the rest of my group worked on the PowerPoint presentation that would include the music video in it, and it turned out great. A theme that was not only aesthetically pleasing but complementary to the vibe we were trying to associate our artist with was put onto the slides, and little text was put on the slides themselves to make them easier to look at. The handful of social media pages we all aided in creating as well as the website we made to promote the single and the artist's merch were all put on the slide alongside pictures of The Vanquisher. 

    After all was done and submitted, we showed up to class to present our entire project in front of our media class. I had rehearsed the information I wanted to say during the presentation multiple times the night before, but once it came to my turn to actually speak in front of the class, I scrapped most of it and went with the flow of my thoughts at the moment. I didn't look back or read off the PowerPoint once in my presentation, and neither did any of my group members. According to some of the critiques given to us by our peers, we did a pretty good job and people were fairly impressed by the music video.

    I feel this project was beneficial in my media production education because, in retrospect, I realize now that I unofficially took on the role of director, writer, and editor while filming the music video. I was given the chance to direct other people and tell them how I envisioned them to act in a scene, and (as aforementioned) I edited the entire music video. As I approach my Portfolio project in the coming week, I feel that the experience I was granted through this music marketing project served as a worthwhile practice for the directing and editing I will need to do in that next project. 

    

Project Components

OH MY GOD ITS TIME HERE'S MY FINAL PRODUCT!!  FILM FILE GLUTTONY POSTCARD FRONT BACK SOCIAL MEDIA TWITTER: @gluttonymovie